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HEMFORUMETKONTAKT

ARIANA GRANDE - THANK U, NEXT (LÅT)
Label:UNI
Kom in på listan:2018-11-09 (Plats 18)
Förra veckans placering:2019-03-15 (Plats 99)
Topplacering:3 (2 veckor)
Veckor:19
Bästa placering genom tiderna:1263 (1410 poäng)
År:2018
Musik/Text:Charles Anderson
Victoria McCants
Tommy Brown [US]
Michael Foster [II]
Ariana Grande
Tayla Parx
Producent:Charles Anderson
Tommy Brown [US]
Michael Foster [II]
In andra länder:
ch  Top: 7 / veckor: 20
de  Top: 13 / veckor: 18
at  Top: 4 / veckor: 16
fr  Top: 12 / veckor: 22
nl  Top: 3 / veckor: 21
be  Top: 7 / veckor: 21 (Vl)
  Top: 3 / veckor: 21 (Wa)
se  Top: 3 / veckor: 19
fi  Top: 1 / veckor: 8
no  Top: 2 / veckor: 15
dk  Top: 3 / veckor: 17
it  Top: 24 / veckor: 15
es  Top: 24 / veckor: 17
au  Top: 1 / veckor: 23
nz  Top: 1 / veckor: 22

Digital
Republic 00602577298448


TRACKS
2018-11-05
Digital Republic 00602577298448 (UMG) / EAN 0602577298448
1. Thank U, Next
3:27
   

TILLGÄNGLIG PÅ FÖLJANDE MEDIA
VersionLängdTitelLabel
Nummer
Format
Medium
Datum
3:27Thank U, NextRepublic
00602577298448
Single
Digital
2018-11-05
3:27Megahits 2019 - Die ErstePolystar
0600753859247
Compilation
CD
2018-12-14
3:27Thank U, NextRepublic
00602577378034
Album
CD
2019-02-08
3:27MNM Big Hits 2019 Vol. 1Universal
538.675-4
Compilation
CD
2019-02-15
3:27Toggo Music Nr. 51Polystar
06007 53865262
Compilation
CD
2019-02-22
3:28Hitzone 88USM
538 624-1
Compilation
CD
2019-03-01
3:29#Hits 2019 #2UMSM / MCA
538 677-8
Compilation
CD
2019-03-01
3:27Ö3 Greatest Hits 84Universal
538 684 5
Compilation
CD
2019-03-15
3:26MNM Party 2019 Vol. 1541 / N.E.W.S.
541821CD / N01.W806.023
Compilation
CD
2019-03-15
3:26Now That's What I Call Music! 102Now
CDNOW102
Compilation
CD
2019-04-12
3:25Ultratop Hit Connection 2019.1Universal
538.729-7
Compilation
CD
2019-04-12
MUSIK KATALOG
Ariana GrandeAriana Grande: Discografi
ARIANA GRANDE I SVENSKAS TOPLISTOR
Singlar

TitelKom in på listanTopveckor
Problem (Ariana Grande feat. Iggy Azalea)2014-05-09535
Break Free (Ariana Grande feat. Zedd)2014-07-18636
Bang Bang (Jessie J / Ariana Grande / Nicki Minaj)2014-08-081539
Love Me Harder (Ariana Grande & The Weeknd)2014-11-142624
Santa Tell Me2014-12-19423
One Last Time2015-02-202225
Focus2015-11-061414
Dangerous Woman2016-03-183013
Into You2016-05-273124
Side To Side (Ariana Grande feat. Nicki Minaj)2016-09-091325
Heatstroke (Calvin Harris feat. Young Thug, Pharrell Williams & Ariana Grande)2017-04-07642
No Tears Left To Cry2018-04-271024
Dance To This (Troye Sivan feat. Ariana Grande)2018-06-22981
Bed (Nicki Minaj feat. Ariana Grande)2018-06-22446
God Is A Woman2018-07-201211
Sweetener2018-08-24961
Breathin2018-08-24137
Thank U, Next2018-11-09319
Imagine2018-12-21514
7 Rings2019-01-25112
Needy2019-02-15431
NASA2019-02-15511
Bloodline2019-02-15242
Fake Smile2019-02-15541
Bad Idea2019-02-15411
Ghostin2019-02-15681
Break Up With Your Girlfriend, I'm Bored2019-02-1569
Monopoly (Ariana Grande & Victoria Monét)2019-04-12531
 
Album

TitelKom in på listanTopveckor
My Everything2014-08-29276
Christmas & Chill [EP]2015-12-25301
Dangerous Woman2016-05-27462
Sweetener2018-08-24130
Thank U, Next2019-02-1519
LÅTAR AV ARIANA GRANDE
7 Rings
Adore (Cashmere Cat feat. Ariana Grande)
All My Love (Major Lazer feat. Ariana Grande)
All My Love (Remix) (Major Lazer feat. Ariana Grande + Machel Montano)
Almost Is Never Enough (Ariana Grande with Nathan Sykes)
Baby I
Bad Decisions
Bad Idea
Bang Bang (Jessie J / Ariana Grande / Nicki Minaj)
Be Alright
Be My Baby (Ariana Grande feat. Cashmere Cat)
Beauty And The Beast (Ariana Grande / John Legend)
Bed (Nicki Minaj feat. Ariana Grande)
Best Mistake (Ariana Grande feat. Big Sean)
Better Days (Victoria Monét feat. Ariana Grande)
Better Left Unsaid
Better Off
Blazed (Ariana Grande feat. Pharrell Williams)
Bloodline
Borderline (Ariana Grande feat. Missy Elliott)
Boyfriend Material
Boys Like You (Who Is Fancy feat. Meghan Trainor & Ariana Grande)
Break Free (Ariana Grande feat. Zedd)
Break Up With Your Girlfriend, I'm Bored
Break Your Heart Right Back (Ariana Grande feat. Childish Gambino)
Breathin
Cadillac Song
Come So Far (Got So Far To Go) (Ariana Grande & Jennifer Hudson)
Come So Far (Got So Far To Go) (Ariana Grande & Jennifer Hudson)
Dance To This (Troye Sivan feat. Ariana Grande)
Dangerous Woman
Daydreamin'
December
Don't Be Gone Too Long (Chris Brown feat. Ariana Grande)
E più ti penso (Andrea Bocelli with Ariana Grande)
Everyday (Ariana Grande feat. Future)
Everytime
Faith (Stevie Wonder feat. Ariana Grande)
Fake Smile
Focus
Get On Your Knees (Nicki Minaj feat. Ariana Grande)
Get Well Soon
Ghostin
Give It Up (Elizabeth Gillies & Ariana Grande)
God Is A Woman
Goodnight N Go
Greedy
Hands On Me (Ariana Grande feat. A$AP Ferg)
Heatstroke (Calvin Harris feat. Young Thug, Pharrell Williams & Ariana Grande)
Honeymoon Avenue
I Don't Care
Imagine
In My Head
Into You
Intro [Christmas & Chill]
Intro [My Everything]
Jason's Song (Gave It Away)
Just A Little Bit Of Your Heart
Knew Better / Forever Boy
Last Christmas
Leave Me Lonely (Ariana Grande feat. Macy Gray)
Let Me Love You (Ariana Grande feat. Lil Wayne)
Love Is Everything
Love Me Harder (Ariana Grande & The Weeknd)
Love The Way You Lie
Lovin' It
Make Up
Mama, I'm A Big Girl Now (Maddie Baillio, Ariana Grande, Dove Cameron, Harvey Fierstein, Andrea Martin & Kirstin Chenoweth)
Monopoly (Ariana Grande & Victoria Monét)
Moonlight
My Everything
My Favorite Part (Mac Miller feat. Ariana Grande)
NASA
Needy
No Tears Left To Cry
Nobody Does It Better
Not Just On Christmas
One Last Time
One Last Time (Attends-moi) (Ariana Grande feat. Kendji Girac)
Only 1
Over And Over Again (Nathan Sykes feat. Ariana Grande)
Pete Davidson
Piano
Popular Song (Mika feat. Ariana Grande)
Problem (Ariana Grande feat. Iggy Azalea)
Put Your Hearts Up
Quit (Cashmere Cat feat. Ariana Grande)
R.E.M
Raindrops (An Angel Cried)
Research (Big Sean feat. Ariana Grande)
Right There (Ariana Grande feat. Big Sean)
Rule The World (2 Chainz feat. Ariana Grande)
Santa Baby (Ariana Grande feat. Liz Gillies)
Santa Tell Me
Side To Side (Ariana Grande feat. Nicki Minaj)
Snow In California
Sometimes
Somewhere Over The Rainbow
Step On Up
Successful
Sweetener
Tattooed Heart
Thank U, Next
The Light Is Coming (Ariana Grande feat. Nicki Minaj)
The Way (Ariana Grande feat. Mac Miller)
Them Changes
They Don't Know
Thinking Bout You
Too Close
Touch It
True Love
Vienna
Why Try
Winter Things
Wit It This Christmas
Without Love (Garrett Clayton, Maddie Baillio, Ariana Grande & Ephraim Sykes)
You Can't Stop The Beat (Maddie Baillio, Garrett Clayton, Ariana Grande, Ephraim Sykes, Harvey Fierstein, Martin Short, Dove Cameron & Kristin Chenoweth)
You Don't Know Me
You'll Never Know
Zero To Hero
ALBUM AV ARIANA GRANDE
Christmas & Chill [EP]
Christmas Kisses [EP]
Dangerous Woman
My Everything
Sweetener
Thank U, Next
Yours Truly
DVDS AV ARIANA GRANDE
The Story Of Ariana
 
RECENSIONER
Genomsnitt poäng: 3.44 (Recensioner: 52)
*****
Nur wenige Monate nachdem ihr viertes Album "Sweetener" veröffentlicht wurde, veröffentlichte Ariana Grande letzte Nacht mit "Thank U, Next" bereits eine komplett neue Single. Das gleichnamige fünfte Album soll auch noch dieses Jahr folgen. Ein schöner R&B-Song, weniger kommerziell wie "No Tears" oder "God Is A Woman", was wohl auch der Grund ist dass ich "Thank U, Next" als ihre schwächste Single des Jahres wahrnehme. Trotzdem eben eine schöne Nummer, die 5* ist gerechtfertigt.
******
Al vlug na de release van Sweetener komt Grande met de eerste single van haar vijfde studioalbum. “Thank U, Next” is een vrolijke break-upsong waarin Grande haar exen bedankt, voor wat ze haar hebben geleerd, in plaats van met ze afrekent. Zeker na een paar keer luisteren een erg leuk plaatje. 6*
****
Zeker niet verkeerd.
****
▒ Opgewekt plaatje van de 25 jarige Amerikaanse actrice, songschrijfster en zangeres: "Ariana Grande-Butera" !!! Dik oké ☺!!!
****
Vrolijke boodschap richting de ex van Ariana Grande dat goed genoeg klinkt om richting hitlijsten te gaan bewegen.
****
Nichts Besonderes.
***
Diese neue Single von Ariana Grande empfinde ich als sehr enttäuschend. Ziemlich unspektakuläres Gesäusel, das bis auf ihre Stimme eigentlich so überhaupt nichts Nennenswertes zu bieten hat. Ist mir persönlich zu wenig und eigentlich eher Album-Füllmaterial.
*
Her worst song.
Senast ändrad: 12.11.2018 17:30
****
Sounds good and interesting. Her third UK#1. UK#1 for 6 weeks and Ireland#1.
Senast ändrad: 15.12.2018 18:07
***
gute 3
****
3 Monate nach dem letzten Studioalbum bereits das neue anzukündigen, nenne ich mal produktiv. Besonders intensiv habe ich mich mit "Sweetener" nicht beschäftigt; außer der starken Lead-Single und dem Titeltrack blieb mir nicht viel in Erinnerung. Auch Ariana scheint sich mit dieser Ära nicht lange aufhalten zu wollen, kann bei mir die Neugier auf die nächste aber kaum entfachen: Auch mir plätschert "Thank U, Next" zu höhepunktarm vor sich hin. Meine bescheidene Meinung kann Ariana aber egal sein, wenn sie auf tadellose Chartsplatzierungen in den wichtigsten Musikmärkten blicken kann.<br><br>edit: Muss mich korrigieren, das ist längst nicht so übel wie anfangs gedacht. 4+
Senast ändrad: 17.02.2019 13:25
***
<br>Ja, diese müde Nummer ist tatsächlich die neue #1 in UK!?
*****
Un nouveau single (déjà) assez sympa. Les hommages dans le clip sont géniaux !
Senast ändrad: 19.01.2019 14:55
******
Nach Sweetener einer ihree besten Songs. Kann kaum das angekündigte Album abwarten
****
gut
****
Da hatte sie in letzter Zeit wirklich bessere Songs. Insgesamt geht das aber schon in Ordnung.
****
Really neat production on this one, not to mention that of course it's super catchy. 4.5
Senast ändrad: 18.02.2019 07:08
****
...der "next one" für und von Arianchen - gesäuselt und geklatscht wie eh und je - Langeweile stellt sich ein...+3.5
***
geht für mich leicht Richtung 'black music'<br>ich hebe mal den schnitt
*****
Oh, ich liebe sie. Meine Tochter, die auch voll auf sie steht, mag diesen Song aber nicht.
****
Leuk nummer. Misschien wel haar eerste nummer één hit in Nederland?
***
Ich mag sie auch, aber dem Song kann ich wenig bis nichts abgewinnen.
***
Nein danke, sehr fad.
****
.
**
Oh, dann darf ich tatsächlich die erste 2 vergeben? Ein Rückfall in längst vergangen und vergessen geglaubte Zeiten des Weichspüler-RnB. Ein Song, mehr gehaucht denn gesungen, melodietechnisch langweilig. Knapp keine 3.
*
Terrible song from an overrated and unlikeable act.
***
DAS ist ihre erste #1 in den USA, in CDN, AUS und NZL? So einfach geht's, klingt aber eher nach schwachem Janet Jackson Verschnitt, dabei hätte Ariana die klar bessere Stimme.
*
One of the worst & cringiest songs of all time. Just when you think she can't get any worse, she proves you wrong.
***
Keiner der schlimmsten Auswüchse in den gegenwärtigen Charts, aber doch eine langweilige und repetitive Sache. Knappe 3*.
******
Prachtig nummer
*
Vreselijk overschatte zangeres.<br>Niet om aan te horen dat gepiep.<br>Thank you next en dat tig keer achter elkaar.<br>Bijna niet te verstaan ook.<br>Leuk voor meisjes van 4 jaar oud.<br>
Senast ändrad: 07.01.2019 20:02
****
Keine schlechte Nummer - nur so ganz umhauen,tut's mich jetzt auch wieder nicht.
***
Na da waren wohl No Tears und God Is A Woman,ja wohl bedeutend besser als der hier besagte Titel.Ganz okay,nichts besonderes.Schön anzuhören,ein kleiner feiner Ohrwurm.Zum Glück läuft sie bisher,keinen schlechten Radiotrends hinterher.Dass muss man ihr hoch anrechnen.
**
Eine sehr Müde Nummer, eher hingeplätschert. Irgendwie<br>nervt der Refrain extrem. Schwache Nummer. Kenne die<br>Sängerin erst seit dem Album Sweetener. Ich mag die<br>Künstlerin nicht.<br>Ernsthaft: Woman of the Year???<br><br>Song Bewertung 2+ abgerundet auf ---> 2*
Senast ändrad: 10.12.2018 17:27
*
Ist wohl der schlechteste Song der dieses Jahr rausgekommen ist. Der Text ist so wie jeder andere von Ihr bzw. von anderen Künstlern heutzutage
**
schmerzt ab der 1. sekunde. konnte den song nicht komplett durchhören. <br>genau so schlecht und überflüssig wie damals mariah carey zu ihren übelsten zeiten
****
ganz nettes Liedchen.
**
The video is entertaining. The songwriting is poor and the production is basic.
****
Not as good as any of the singles from Sweetener, which makes it all the more bewildering that this is such a massive hit. I do like the lyrics though.
****
Its actually good. Should've been on the Sweetener album though to my opinion. But I like the lyrics and show how many ex boyfriends she has ever been and not to mention her parents support. Another great song from Ariana Grande.
****
Etas seicht, doch für eine aufgerundete vier reicht es.
****
I was disappointed at first but that hook is very effective and I love how simple it is. Nice lyrics too. 4.3
****
Ich könnte schreiben "danke, nächstes Lied", aber so schlecht ist das nicht. Schöner Melodiebogen, angenehme Stimme. Rundherum zu nett für eine schlechte Wertung. das Zuckerpüppchen hört man immer wieder mal aus dem Rundfunk trällern.
*****
With every passing year, it feels like pop music as it is thought of, is crossing new milestones in terms of how popular music as the people are experiencing it is overlapping less and less with it. The charts still seem to function, but as if it's held together by duct tape. The sense of urgency that the top of the charts used to hold as a product of being what's hot right now, has started to evaporate as it feels like every song has to go through a 6 month vetting process before it's deemed okay to be heard by enough people to bring it to its highest chart peak. Radio in particular often feels like it needs to work with everything planned 3 months in advance. In all honesty, a lot of this has been the case for decades. It just strikes as particularly faling apart as we now have national charts decided by YouTube & Spotify plays, often with no direct financial interaction which results in a popular landscape which is far more difficult to regulate. It makes things interesting that popular hits feel as though they can be plucked from complete obscurity rather than being selected from the small handful that are presented to the public by the powers that be. What's also happened is that when songs do connect, they really stick. It is completely normal to see a plethora of hits that spend 6, maybe 9 months in the spotlight.<br><br>All this comes at a cost, which is what I was getting at with my opening sentence. I suppose you could say that pop hasn't gone anywhere apart from having to vacate increasingly more seats at the table from less adjacent genres, while pop radio is diving all over the place to latch onto anything that connects with their audience. In that sense I think you could re-phrase the sentence to be more about pop stars as they've been known for at least the last 50 years. When you look at the charts of old, there's a certain level of expectation in that the big names of the time are always there without fail. Especially so in the UK where it feels like every major artist is either putting out a career/era defining single, or whatever else they put out is still at least checking off their streak for top 10, top 20, top 40 peaks. These streaks would often last long after what you would naturally think is the expiration on an artist's hitmaking career, but what I often see is comments from people who were young at the time and were confused at why certain dinosaur acts were always charting so high. Not to say that there can't be a cross-generational appeal (just look at "The Horses") but predominantly these careers were being kept alive by the same fanbase decade after decade, and the less financed youth weren't able to really overpower it.<br><br>What keeps happening over and over again is that major stars of the past release new music, and it sells really well on iTunes, but tanks quickly because there's no audience big enough streaming it, which takes the lion share of chart points nowadays, even if Billboard & the OCC repeatedly try to quell it by adjusting the formula. You see fans of such artists in disarray that the still reputable new material from their favourite artists is falling far short of past performance, and simultaneously baffled that people are instead latching onto a rap artist whose name is 5 steps away from the end for them https://twitter.com/pixelatedboat/status/1090112445882880000<;br><br>It's all because the John Mayer - "Waiting On The World To Change" process has been accelerated dramatically for the simple reason that monetisation is favouring a younger, less bourgeois audience with less inclination towards perceived 'value' of music because they're no longer putting their taste at price point. People who buy music, are more likely to do so with the intent that they're going to keep listening to it for a long time to come, whereas if you just stream it, there is zero investment in it after the time you spend hearing it for the last time. So this perceived value that has been indoctrinated in audiences forever has had its spell broken, and chaos ensues.<br><br>I think there's also an element of artists managing to be popular nowadays via a certain relatable tilt. That's been around forever of course but it was always through the filter of eloquent lyricism to capture a mood. The only thing that held it back was the very apparent barrier where the biggest stars felt like literal...stars in comparison to us feeble ants. Like they were groomed for presentation, and after they've done their song, they'll go back to their ivory towers and celebrate through hedonism. Not to say that actually is the case, but there certainly always felt like there was an urge to act like everything was all together, even when it wasn't. I think back to Britney Spears' breakdown, which happened at a point when she no longer seemed like a normal person, and so there was an outpouring of ridicule from people who would never even consider that 'hey, maybe she has feelings too'.<br><br>Times have changed a lot since then though. The rise of social media means that fans can peer into the world of their favourite artists every day, and through the window that they choose to open, rather than what is presented via tabloids and the like. It brings a rise in parasocial relationships which, while not actually as significant as they feel to the person in question, go a long way to bringing the artists back to the level of the people. So many stars of the past just can't connect in the same way, possibly because they're too old, possibly because they're not ready for the shift, but either way, someone who's 16 years old now doesn't really have an affinity for a pop star who had hits 10 years ago, they want someone who feels more like them.<br><br>Which is why after 6 paragraphs I can finally address Ariana Grande herself. I often see her touted as just about the only pop star who still matters. You can run all sorts of numbers in favour of other artists still, but the way I see it, she's a rare pop musician who feels completely in tune with the times of today. People like her songs, but they really like her in general. Over time she's gradually seeped more of this persona into her music and it's paying off extremely well. Her life is filled with nonstop drama that just comes her way because she's in the periphery. She may be the biggest pop star at the moment, but she's living a life that nobody could honestly envy.<br><br>I find myself compelled by the way she spins the drama around in her songs. Songs like "no tears left to cry", "breathin" and this all embody the idea of powering through the worst shit. This song in particular feels more pertinent about it because it was released just two months after Mac Miller passed away, and there's absolutely no way the song could even be conceived prior to that. This in itself is yet another strength in Ariana's deck of cards, that she's so readily adapted to this age where new music is expected more frequently than ever (look at the difference between say Jeff Buckley, whose posthumous releases come sometimes over a decade apart, while XXXTENTACION's label has pushed out two in two months) from younger fans. If you're an artist like Drake whose output regularly sounds like his songs were made in a week (I say this even for the ones I love), but it's more rare for an artist in Ariana's wheelhouse. Yet she keeps doing it, and is about to release the album of the same name only 6 months after her last.<br><br>Honestly though there's no better way to prove her cultural standing than the very status of the song. The titular phrase, to my understanding, pretty much was invented in this song, and yet it's instantly been weaved into popular culture as an extremely flexible phrase of dismissal. She even got in on Drake's other wheelhouse because I personally saw the 'one taught me...' line as an established meme before I even heard the song and found out where it came from. I can't describe Ariana as anything other than savvy. It may not be able to heal all her wounds, but at least the song is a smash.
Senast ändrad: 07.02.2019 18:46
****
Ein riesen Hype war dass um eine eigentlich nur durchschnittliche Nummer.<br>Ariana hat viele Songs welche um Klassen besser sind und kaum aufmerksamkeit erhielten.<br>Nunja, ich bin happy dass sie Erfolg hat, für mich einfach mit de falschen Tracks...
****
4
****
Vom Song her für meinen Geschmack her ziemlich schwachbrüstig. Aber Sound und Stimme im Song haben einen sehr luziden Raumklang. Selten was Besseres gehört...
*
Oooch - wie süß. Ein Liedchen für 8 - 12 jährige Mädels (und Jungs ???). Dazu noch im etwas dämlichen Video als Weihnachtsgeschenk verpackt. Na, wer will den sowas?
*
Naja die Melodie, die schon vom Anfang ertönt, gefällt mir nicht so, der Beat auch nicht. Irgendwie kommt mir es vor, dass wenn sie "Thank you, next" mehrmals hintereinander singt, wie eine Verkäuferin wirkt, die den nächsten Kunden bedienen will, für mich ist es leider belanglos gesungen.
****
i.O.
***
ariana grande hat schon eine angenehme stimme. aber in diesem harmlosen titel, der irgendwie freundlich vor sich hin plätschert, kommt das auch nicht so zur geltung. für mich eine höchst mittelmäßige nummer.
****
eine nette Stimme
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